![]() ![]() Gooding’s Broadway bona fides bring a level of legitimacy to “Subspace Rhapsody” that’s lacking even in top-tier TV musical episodes like Buffy’s “Once More, With Feeling” and Community’s “Regional Holiday Music.” Gooding sings the episode’s 11 o’clock number, “Keep Us Connected,” an undeniable earworm that showcases their impressive vocal range and power. Gooding’s performance as Frankie in Jagged Little Pill, a Broadway jukebox musical featuring the songs of Alanis Morissette, garnered them a Tony nomination for Best Performance by a Featured Actress in a Musical, as well as a Grammy for Best Musical Theater Album (shared with the rest of the cast). So, it’s no surprise that, while “Subspace Rhapsody” gives nearly every regular cast member an opportunity to show off, the heart of the story is Ensign Nyota Uhura, portrayed by Celia Rose Gooding. The narrative and emotional weight of a musical has to fall on the shoulders of the cast members most prepared to carry it. ![]() Who’s a belter? Who’s a crooner? Who’s funny? Who might not be comfortable singing at all? The tools at hand impact not only the distribution of the songs, but the shape of the story. Indeed, one of the interesting challenges of producing a musical episode of an established television show is tailoring the music to suit the talents of the existing cast. Songwriters Kay Hanley and Tom Polce also could not be reached via Paramount publicity.) (Chong is unavailable for comment due to the conditions of the ongoing SAG-AFTRA and WGA strikes, as is the rest of the cast and the episode’s writers, Dana Horgan and Bill Wolkoff. ![]() “Subspace Rhapsody” would seem to be an important landmark in her career, as she features heavily on the soundtrack, including the solo ballad “How Would That Feel?” Chong, whose debut EP Twin Flames is also out this week, confesses in her Spotify bio that her screen acting career began as a way to raise her profile as a singer and stage actor. Star Trek has truly reinvented itself Star Trek needs less logic and more cryingĪccording to the episode’s director, Dermott Downs, Chong was the cast member who pushed the hardest for a musical episode. ![]() After the warm reception to its first season, which contained everything from a screwball body-swap comedy to a grim political drama involving child sacrifice, it was time to set phasers to “sing.” Short Treks eventually became the launchpad for Strange New Worlds, whose tone has proven equally elastic. But at the time, his only venue for bizarre genre experiments was Star Trek: Short Treks, a short subject anthology series that filled the gaps between Discovery and Picard. The episode features 10 original songs by Kay Hanley and Tom Polce (of Letters to Cleo fame) and highlights the vocal talents of the cast, including Tony nominee and Grammy winner Celia Rose Gooding and singer-songwriter Christina Chong.Įxecutive Producer Alex Kurtzman, who heads up the franchise at Paramount, has been teasing the possibility of a Star Trek musical since 2020. In “Subspace Rhapsody,” the crew of the USS Enterprise encounters a strange cosmic phenomenon that induces them to break into song and reveal their innermost feelings. Throwing an hour of light comedy into the middle of a 10-episode arc with galactic-level stakes could derail an entire season, but Star Trek: Strange New Worlds dances gracefully from week to week between courtroom drama, time-travel romance, and its latest wild swing: a musical episode. ![]()
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